Forgot to post about seeing The Bright Stream (Ratmansky) a couple of weeks ago. I thought it was delightful. Perhaps a little too much of the tired "ho ho! fat ladies are amusingly ill-co-ordinated! and when people try to cross gender lines, hilarity ensues!" kind of humour, but on the whole, quite lovely, artistically, musically, and technically. With bonus man en pointe and arabesque en bicyclette, which were fun to see - and no-one gets away with cheating on their wives or dumping their fiancees, of which I approve.
This week I saw Kudelka's Cinderella; it's American Ballet Theater, but this one was a lot more Theater than Ballet, and not especially good theatre at that - the jokes aren't funny and go on too long, and the whole thing feels a bit cluttered and ragged. I suppose you could say that's a subtle meta-comment on Cinderella, who is supposed to be ragged; but one expects, for example, a pas de quatre to be a *little* more co-ordinated than it in fact was. Also, putting men into dark suits and then having them dance on a black stage isn't good planning; they look like a lot of bobby-about shirtfronts in some kind of strange puppet play. Another example of *planning: ur doin it wrong* is having a whacking great circle painted on the stage and then doing a whole lot of circle dances that are embarrassingly non-circular. Just looks messy. Still, yummy costumes, and some cute ideas, plus a decent quantity of women with agency (I notice these things).
I rather enjoy the way it works high up at the top of the Met building - you buy a $20 seat, and then when the lights go (this being the Met, successively up and) down,* everyone in the $20 seats sneaks over into the empty $30 seats. With one's opera glasses (birthday-present binoculars from a long time ago), one manages rather well.
* i.e. they raise the chandeliers, and the house lights go down.
This week I saw Kudelka's Cinderella; it's American Ballet Theater, but this one was a lot more Theater than Ballet, and not especially good theatre at that - the jokes aren't funny and go on too long, and the whole thing feels a bit cluttered and ragged. I suppose you could say that's a subtle meta-comment on Cinderella, who is supposed to be ragged; but one expects, for example, a pas de quatre to be a *little* more co-ordinated than it in fact was. Also, putting men into dark suits and then having them dance on a black stage isn't good planning; they look like a lot of bobby-about shirtfronts in some kind of strange puppet play. Another example of *planning: ur doin it wrong* is having a whacking great circle painted on the stage and then doing a whole lot of circle dances that are embarrassingly non-circular. Just looks messy. Still, yummy costumes, and some cute ideas, plus a decent quantity of women with agency (I notice these things).
I rather enjoy the way it works high up at the top of the Met building - you buy a $20 seat, and then when the lights go (this being the Met, successively up and) down,* everyone in the $20 seats sneaks over into the empty $30 seats. With one's opera glasses (birthday-present binoculars from a long time ago), one manages rather well.
* i.e. they raise the chandeliers, and the house lights go down.
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I mentioned glass paint a while back, you may recall, and I've finally got around to taking the pictures that will make a blog post a bit more satisfying than "I made this stuff, you can't see it, but it's quite cute."
In keeping with my habit of posting seasonal topics at wildly inappopriate times of year, this is a post about what to do with yahrzeit candles when you're done burning them. They have a certain ritual-logistical function on two-day festivals, so around festival time you can build up quite a collection, if you're that way inclined. You see? Not seasonally appropriate in the slightest. Go me.
So you get your candles; the ones in glass jars, because the ones that come in tin pots Are Not As Cool. You burn the candles. Then you wash the jar inside and out until it's nice and shiny.
When it's dry, you colour in the shapes. I took a tip from the iPod Nano; something that of itself is not especially attractive 