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I mentioned that I've been using two quills since August.
Quills are a bit like shoes. If you're going hiking, you want hiking boots. If you're wearing a pretty frock, you want pretty shoes. If you're not going for a particular look, it doesn't matter much.
Parchment surfaces vary in texture. Sometimes it can be very very smooth, sometimes rough and sandpapery, and anything in between. The image at right is an extreme example, not from this Torah at all. It's a very close zoom, so you can see the marked difference between rough and smooth.
With quills, if you've got very rough parchment, you want a tough sort of quill. One that isn't going to leap and spatter every time there's a bit of irregularity, one that isn't going to wear out every three minutes so you spend all day sharpening. If you're doing extremely fine, delicate work, you probably want to use something smaller and thinner, because otherwise it's like trying to do ballet in hiking boots. If it's just ordinary sort of parchment, it doesn't matter so much.
In general, for this Torah, I've been using just an ordinary sort of quill; turkey, not especially remarkable in any way. But occasionally there's been a rougher patch, and for those I've switched to a sturdier quill. Why not use the sturdy one all the time? I just don't feel like it, like I don't wear hiking boots all the time. You can if you want.
The inserts in the picture here are trying to show the differences between the two quills, in terms of how thick the quill is. The one on the left is the tough sturdy thick one, and the other one is somewhat thinner in - well, I suppose you'd call it the quill wall?
They both narrow to the same size at the tip, though.
Clicky for bigger image
Quills are a bit like shoes. If you're going hiking, you want hiking boots. If you're wearing a pretty frock, you want pretty shoes. If you're not going for a particular look, it doesn't matter much.
Parchment surfaces vary in texture. Sometimes it can be very very smooth, sometimes rough and sandpapery, and anything in between. The image at right is an extreme example, not from this Torah at all. It's a very close zoom, so you can see the marked difference between rough and smooth.With quills, if you've got very rough parchment, you want a tough sort of quill. One that isn't going to leap and spatter every time there's a bit of irregularity, one that isn't going to wear out every three minutes so you spend all day sharpening. If you're doing extremely fine, delicate work, you probably want to use something smaller and thinner, because otherwise it's like trying to do ballet in hiking boots. If it's just ordinary sort of parchment, it doesn't matter so much.
In general, for this Torah, I've been using just an ordinary sort of quill; turkey, not especially remarkable in any way. But occasionally there's been a rougher patch, and for those I've switched to a sturdier quill. Why not use the sturdy one all the time? I just don't feel like it, like I don't wear hiking boots all the time. You can if you want.The inserts in the picture here are trying to show the differences between the two quills, in terms of how thick the quill is. The one on the left is the tough sturdy thick one, and the other one is somewhat thinner in - well, I suppose you'd call it the quill wall?
They both narrow to the same size at the tip, though.
Between the top and bottom of this next image I switched from regular quill to sturdy quill, and you can't tell where, because I cut both quills to give exactly the same sort of letters. It looks no different, but it made the difference between a fine writing day and a frustrating writing day.
Clicky for bigger image